OPEN ACCESS STATEMENT

Art Inquiry is an open-access, peer-reviewed academic journal. All work published in the journal is released under Creative Commons Attribution Noncommercial No Derivatives License (CC BY-NC-ND). Under this license, works are available for sharing and noncommercial distribution provided the appropriate attribution is given.

 

COPYRIGHT: Łódzkie Towarzystwo Naukowe

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Obituary - Professor Grzegorz Sztabiński (1946-2020)

We regret to inform you that on 13 November 2020, aged 74 lat, passed away

prof. dr hab.
Grzegorz Sztabiński

Editor-in-Chief
of ART INQUIRY
Recherches sur les arts

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Announcements

Call for papers - Art and culture in times of danger – "Art Inquiry" 2024

2024-02-14

In the current volume of Art Inquiry, we would like to explore the role of art and culture in dealing with tragic challenges faced by humanity both in the past (e.g., iconoclasm, religious wars, colonial conquests, the Holocaust during World War II) and in the contemporary context: wars (in Ukraine, Israel with Hamas), but also pandemics, cybercrime, environmental threats and economic crises, and their impact on societies. We are also interested in the problems of art as a tool for therapy and emotional support during difficult periods. We want to consider the role of cultural institutions in adapting to new socio-cultural conditions and contemporary social challenges, such as pandemics, economic crises or global conflicts.

Read more about Call for papers - Art and culture in times of danger – "Art Inquiry" 2024

Current Issue

Vol. 25 (2023): How do artists think?
					View Vol. 25 (2023): How do artists think?

Co-financed by the Ministry of Education and Science, Republic of Poland.

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VOLUME EDITOR: Teresa Pękala

Published: 2023-12-13

Articles

  • Rethink thinking

    Teresa Pękala
    9-22
    DOI: https://doi.org/10.26485/AI/2023/25/1
  • To be wise or to think?

    Andrzej Ostrowski
    23-40
    DOI: https://doi.org/10.26485/AI/2023/25/2
  • Is Making Art a Way of Thinking?

    Anna Szyjkowska-Piotrowska
    41-60
    DOI: https://doi.org/10.26485/AI/2023/25/3
  • Genetic Criterion of Art

    Sidey Myoo
    61-72
    DOI: https://doi.org/10.26485/AI/2023/25/4
  • Experience of the "lower” senses – the artist's multisensory aisthesis

    Monika Błaszczak
    73-94
    DOI: https://doi.org/10.26485/AI/2023/25/5
  • Musical Thinking Revisited: An Interdisciplinary Approach

    Anna Chęćka
    95-114
    DOI: https://doi.org/10.26485/AI/2023/25/6
  • Paranoia-criticism as a surrealist variant of artistic thinking

    Agnieszka Kuczyńska
    115-125
    DOI: https://doi.org/10.26485/AI/2023/25/7
  • How designers think. Conceptual blending in design

    Hanna Bytniewska
    127-137
    DOI: https://doi.org/10.26485/AI/2023/25/8
  • Dialogues between artists and fashion

    Ewa Szkudlarek
    139-151
    DOI: https://doi.org/10.26485/AI/2023/25/9
  • Landscape Embodied (in and through Art)

    Beata Frydryczak
    153-165
    DOI: https://doi.org/10.26485/AI/2023/25/10
  • Thinking Landscape in Art

    Mateusz Salwa
    167-179
    DOI: https://doi.org/10.26485/AI/2023/25/11
  • How does the artist think? – an analysis of Grzegorz Sztabiński's works

    Paulina Sztabińska-Kałowska
    181-205
    DOI: https://doi.org/10.26485/AI/2023/25/12
  • Exhibition of works by Grzegorz Sztabiński at The University of Łódź, entitled hommage à Grzegorz Sztabiński – "continued...", as a contribution to the analysis of ways of looking at a work of art

    Aneta Pawłowska, Izabela Krejtz, Katarzyna Wisiecka
    207-227
    DOI: https://doi.org/10.26485/AI/2023/25/13
  • Transcendence in art and contemporary margins of transcendence in Grzegorz Sztabiński's "aesthetic thinking"

    Rafał Solewski
    229-240
    DOI: https://doi.org/10.26485/AI/2023/25/14
  • A Journey to Areas of Non-obviousness. Jerzy Bereś, Zbigniew Warpechowski and the Beginnings of Action Art in Poland

    Kazimierz Łyszcz
    241-254
    DOI: https://doi.org/10.26485/AI/2023/25/15
  • Aesthetic thinking according to Wisława Szymborska

    Irena Górska
    255-269
    DOI: https://doi.org/10.26485/AI/2023/25/16
  • In the reflection of an image – the works of Joanna Trzcińska

    Daria Rutkowska-Siuda
    271-283
    DOI: https://doi.org/10.26485/AI/2023/25/17
  • The art of Lazarus Takawira in the light of Frank McEwen's theory of inner vital forces

    Dariusz Skonieczko
    285-302
    DOI: https://doi.org/10.26485/AI/2023/25/18
  • What do artists teach us? Aesthetic experience and the multi-paradigm nature of contemporary art

    Ryszard Solik
    303-321
    DOI: https://doi.org/10.26485/AI/2023/25/19
  • Artists talk about war – an analysis using selected examples

    Dominika Łarionow
    323-334
    DOI: https://doi.org/10.26485/AI/2023/25/20
  • Writing Poetry after Bucha or on the Expression of the Inexpressible

    Rafał Czekaj
    335-344
    DOI: https://doi.org/10.26485/AI/2023/25/21
  • Analysis of fine-art photography techniques in representing the tragedy of war in Ukraine using Serhii Belinskyi's works

    Serhii Belinskyi, Yuliа Ivashko, Iryna Kravchenko, Andrii Dmytrenko, Iryna Dreval
    345-365
    DOI: https://doi.org/10.26485/AI/2023/25/22
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